presented by Maine State Music Theatre and Portland Stage.

NUNSENSE

DATES August 14 - September 9, 2018

MUSIC & LYRICS DAN GOGGIN

Winner of four Outer Critics Circle Awards, including Best Off-Broadway Musical, Nunsense is an over-the-top, utterly hilarious international phenomenon starring five nuns who decide to hold a fundraiser after their cook, Sister Julia, Child of God, inadvertently poisons 52 sisters.  With the remaining sisters in need of funds for the burial, the intrepid five take over the school gymnasium to hold a variety show to help their dearly departed find a final resting spot. Featuring belting, twirling, tap dancing nuns, this show will restore your faith in the power of comedy. Join us as we get in the habit of laughing with the Little Sisters of Hoboken.

ALMOST, MAINE (2020)

DATES Jan 15 - Feb 9, 2020

RUN TIME Approximately 2 hours and 15 minutes including one (1) intermission

PRICE Previews $37-$52 | Sat & Sun Matinee $50-$70 | All other performances $45-$65 | Discounts for Seniors, Students, Rush35 and Groups.

Celebrate the bicentennial of our State with a play that put us on the map. Offering charming vignettes about love, and life in Maine, this beloved play broke box office records, went onto critical acclaim, and delighted audiences across the globe after its premiere at Portland Stage in 2004.

John Cariani is an actor and a playwright. He has appeared on Broadway and Off Broadway, at regional theaters across the country, and in several films and television shows. He’s been nominated for a Tony Award and has done movies with Robert De Niro, Christopher Walken, and Ed Asner. Most people seem to know him from "Law & Order" where his character, Forensics Tech Beck, is alive and well in reruns. As a playwright, John is best known for his first play, Almost, Maine, which premiered at Portland (Maine) Stage Company in 2004 and opened Off-Broadway in 2006. It has since become one of the most frequently produced plays in the United States and has been translated into nearly twenty languages. His other plays include cul-de-sac (Transport Group), Last Gas (Portland Stage Company, Geva Theater Center), and LOVE/SICK (Portland Stage Company, Hartford TheaterWorks). Both Almost, Maine and Last Gas are published by Dramatists Play Service. Originally from Presque Isle, Maine, John is a graduate of Amherst College. He lives in New York City. www.almostmaine.com

Show Gallery

IT’S A WONDERFUL LIFE: A LIVE RADIO PLAY (2019)

DATES Nov 29 - Dec 24, 2020

RUN TIME Approximately 2 hours, including a 15 minute intermission.

PRICE Previews Nov 29-Dec 1 $38-$43 | Dec 2-20 $44-$64 | Dec 21-24 $55-$70 | Discounts for Seniors, Students, Children, Rush35 and Groups.

Celebrate the Holiday Season with this beloved American classic. This heartwarming story of renewal is presented as a 1940’s radio broadcast with sound effects performed live on stage.  With the help of an ensemble and an angel named Clarence, George Bailey learns the million different ways that we are tied to those around us.

WHAT IS A LIVE RADIO PLAY?

Before television, the largest popular form of entertainment was the radio. Much like today, families would have their dinner and then sit around the radio waiting to hear either the news or their favorite radio program. Radio shows were usually done by just a few actors playing multiple characters and there was a person responsible for all of the sounds created during the show. “Commercial Breaks” were done by the same actors that enacted the plays! Comparisons to today might be Prairie Home Companion, the live radio show by Garrison Keillor.

Joe Landry’s plays have been produced across the country and internationally, and include It’s a Wonderful Life: A Live Radio Play, Reefer Madness, Vintage Hitchcock: A Live Radio Play, Eve & Co., Beautiful, Hollywood Babylon, and Numb. Mr. Landry attended Playwright’s Horizons/NYU, founded Second Guess Theatre Company in Connecticut and is a member of the Dramatists Guild of America. He is currently developing new projects for the stage and screen.

READ TO ME (2019)

DATES Oct 22 - Nov 10, 2020

RUN TIME Approximately 90 minutes with no intermission.

PRICE Previews $32-$37 | Sat & Sun Matinee $45-$65 | All other performances $40-$60 | Discounts for Seniors, Students, Rush35 and Groups.

Winner of the 2018 Clauder Competition. A poignant story about a child with a terminal illness who connects delicate moments in unusual ways.  Discovering the mysterious “Postal Service,” he sends messages to the world, and awaits a response. This poetic play, created through magical realism, reveals the quiet ways in which we connect.

Brendan Pelsue is a playwright, librettist, and translator whose work has been produced in New York and regionally. His play Wellesley Girl premiered at the Humana Festival of New American Plays. Hagoromo, a dance-opera piece for which he wrote the libretto, has appeared at the Brooklyn Academy of Music and the Pocantico Center. Other work includes New Domestic Architecture at the Yale Carlotta Festival, Read to Me at the Bay Area Playwrights Festival, Lost Weekend with the Actors Theatre of Louisville Apprentice Company, Parking Lot, Riverbank: a Noh Play for Northerly Americans at the Yale School of Drama. Commissions include South Coast Repertory, American Opera Projects, Westport Country Playhouse, and the Actors Theatre of Louisville. He was a 2017 artist-in-residence at Chateau de la Napoule, France, where he produced the podcast We Are Not These People. He is currently working on an adaptation of Paul Harding’s novel Tinkers, a new translation of Molière’s Don Juan, and One Thousand Years of Music and Two Americans, a chamber opera, with composer Matthew Suttor. Originally from Newburyport, MA, he received his MFA from Yale School of Drama and his BA from Brown University, where he received the Weston Prize in playwriting.

THE CLEAN HOUSE

DATES Sept 24 - Oct 13, 2019

RUN TIME Approximately 2 hours including a 15 minute intermission.

PRICE Previews $32-$37 | Sat & Sun Matinee $45-$65 | All other performances $40-$60 | Discounts for Seniors, Students, Rush35 and Groups.

In an imperfect world, the best solution is to laugh.  Conflict and comedy weave a whimsical tale about cleaning, relationships and finding the perfect apple.   Award winning playwright Sarah Ruhl reminds us what’s important in life, and that humor and beauty still enchant in the most unlikely places.

Sarah Ruhl’s plays include How to Transcend a Happy Marriage, For Peter Pan on her 70th Birthday, The Oldest Boy, In the Next Room, or the vibrator play, The Clean House, Orlando, Late: a cowboy song, Dear Elizabeth and Stage Kiss. She is a two-time Pulitzer Prize finalist and a Tony Award nominee. Her plays have been produced on Broadway at the Lyceum by Lincoln Center Theater, off-Broadway at Playwrights Horizons, Second Stage, and at Lincoln Center’s Mitzi Newhouse Theater. Her plays have been produced regionally all over the country and have also been produced internationally, and translated into over twelve languages. Ms. Ruhl received her M.F.A. from Brown University where she studied with Paula Vogel. She has received the Steinberg Distinguished Playwright award, the Susan Smith Blackburn award, the Whiting award, the Lily Award, a PEN award for mid-career playwrights, and the MacArthur “genius” award. Her book of essays 100 Essays I Don’t Have Time to Write was published by Faber and Faber. She teaches at the Yale School of Drama and lives in Brooklyn with her family.

AIN’T MISBEHAVIN’ The Fats Waller Musical Show

DATES Aug. 6 - Sept. 1, 2019

RUN TIME approximately 2hrs , with a 15 minute intermission.

PRICE Previews $48-$68; All other performances $55-$75. Discounts available for Seniors, groups, Rush35, and Student Rush. We accept the following credit cards: MC, Visa, Discover

The Harlem Renaissance of the 1920s and 1930s comes to life in Ain’t Misbehavin’, the three-time Tony Award-winning musical revue. Join five sensational performers on a sassy, sultry journey – from uptown clubs to Tin Pan Alley to Hollywood – through the timeless music of Thomas “Fats” Waller. You’ll be jumpin’ and jivin’ with memorable songs such as “Honeysuckle Rose,” “Ain’t Misbehavin’,” “Black and Blue,” “This Joint is Jumpin’,” and “I’ve Got A Feeling I’m Falling.”

E. Faye Butler

WHERE WE STAND

DATES May 21 - Jun 6,2021

RUN TIME 90 minutes with no intermission.

PRICE $25 - $53

PLAYWRIGHT Donnetta Lavinia Grays

DIRECTOR Kevin R. Free

About the Play

“Where We Stand Reveals a Community on the Precipice of a Big Decision. With sensitivity and classically great storytelling skills, Grays asks us to reconsider our notions of justice and revenge, and the perilous chasm between them.” – TheaterMania

“A Pied Piper story that doubles as a boldfaced allegory about class and community,” – NY Times

“Magical! A charismatic feat! Point-of-the-spear relevance.” —New York Magazine

“Grays is an extraordinary storyteller! Unassumingly spectacular.” —Theatermania

Where We Stand is a modern fable set here and now asking what does justice look like in our community? In a town running low on compassion, a lonely soul is tempted by the devil’s kindness on a fateful trip to the crossroads. He asks for forgiveness, forcing the community to decide between mercy or justice in this epic tale that weaves humor, music, and poetry.

Prices

  • Preview Fri & Sat  7:00 pm  $26-$48
  • Wed thru Sat  7:00 pm $35-$62
  • Thu  2:00 pm  $35-$62
  • Sat & Sun  2:00 pm  $40-$68
  • Digital on Demand  $25

Pay-What-You-Can

  • Sat, May 22 7:30 pm
  • Thu, Jun 3  2:00 pm
  • Digital on Demand – Available by calling the Box Office

Virtual Discussions

  • Curtain Call  Sun, May 30  5:30 pm
  • Artistic Perspective  Sun, Jun 6  5:30 pm

Donnetta Lavinia Grays – raised in Columbia, South Carolina – is a Brooklyn based playwright and actor whose writing credits include WHERE WE STAND (Lucille Lortel Nominee, Drama League Nominee, 3X AUDELCO Nominee, World Premiere Co-production – WP Theater and Baltimore Centerstage. O’Neill Center National Playwrights Conference Semifinalist.), WARRIORS DON’T CRY (Theaterworks USA/Bushnell commission), LAST NIGHT AND THE NIGHT BEFORE (World Premiere – Denver Center for the Performing Arts. Kilroys List. Colorado New Play Summit. National New Play Network Showcase. She is a 2021 Whiting Award recipient for Drama. Todd McNerney National Playwriting Award Winner. O’Neill Theater Center National Playwrights Conference Semifinalist.), LAID TO REST (O’Neill Theater Center National Playwrights Conference Finalist.) THE REVIEW OR HOW TO EAT YOUR OPPOSITION (WP Pipeline Festival. O’Neill Theater Center National Playwrights Conference Finalist.) THE NEW NORMAL and THE COWBOY IS DYING. Donnetta is a recipient of the Helen Merrill Playwright Award, Lilly Award, National Theater Conference Barrie and Bernice Stavis Playwright Award, and is the inaugural recipient of the Doric Wilson Independent Playwright Award. She is a former Space on Ryder Farm Working Farm Resident, is a Time Warner Foundation WP Playwrights Lab alumna, a Civilians R&D Group alumna, an Actors Studio Playwright/Directors Unit alumna, and a terraNova Collective Groundbreakers Playwright group alumna. Her work has been previously developed with, Hedgebrook (*Covid Class), New Harmony Project, Ground Floor at Berkeley Rep, Denver Center for the Performing Arts, The Labyrinth Theater Company, New York Theater Workshop, Orlando Shakespeare Theater, Portland Stage Company, Pure Theatre Company, [the claque], Naked Angels, Classical Theater of Harlem, Slant Theater Project, terraNova Collective, and TOSOS. Donnetta is currently under commission from Steppenwolf, The Denver Center for the Performing Arts, Alabama Shakespeare Festival, and WP Theater. For television she has been staffed on Spectrum Original/Lionsgate’s “Manhunt”, “Y: The Last Man” for FX Network/Color Force and is currently the Executive Story Editor on “Joe Exotic” starring Kate McKinnon for NBC Universal.

Man Tracey Conyer Lee*

Vote Conductor Renee Goddess

[*member Actors' Equity Association]

[**denotes member of USA]

Director Kevin R. Free

Scenic & Costume Designer Anita Stewart**

Lighting Designer Jamie Grant

Sound Designer Seth Asa Sengel

Stage Manager Myles C. Hatch*

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BAD DATES

DATES Apr. 16 - May 2, 2021

RUN TIME 100 minutes | No intermission

PRICE $25 - $53

PLAYWRIGHT Theresa Rabeck

DIRECTOR Jade King Carroll***

About the Play

Shoe-obsessed divorcee Hayley played by Annie Henks regales us with hilarious stories as she re-enters the world of dating in this 90-minute (no break) one-woman show. “And then I realize, in this sort of strange, hallucinatory moment, that the bug guy is looking kind of good, and the things he’s saying about bugs are really kind of fascinating and it is then that I realized that maybe it has been too long since I’ve been on a date.”–So confesses a single mother and self-described restaurant idiot-savant in this thoroughly charming and slyly sweet one-woman play by the author of The Butterfly Collection and Spike Heels. This idiosyncratic journey to self-discovery involves the Romanian mob, a Buddhist rainstorm, a teenage daughter, shoes, and a few very bad dates. (Concord Theatrical)

Theresa Rebeck is a playwright, film writer, television writer, and novelist. Her works have been produced on Broadway and Off-Broadway to great acclaim. She has won and been nominated for numerous awards, and her play Omnium Gatherum was a finalist for the Pulitzer Prize for Drama in 2004.

Her Broadway debut was a production of her play Mauritius, which was originally performed at The Manhattan Theater Club before moving to The Biltmore Theater in 2007. Additional Broadway credits include Seminar which opened on Broadway in 2011, Dead Accounts which premiered

in 2012, and, most recently, Bernhardt/Hamlet, which was on Broadway in 2018 and was nominated for multiple Tony Awards.

In addition to her prolific career in theater, she has also been a writer on multiple television and films shows such as Law and Order: Criminal Intent, and NYPD Blue. She was a creator and producer of the NBC series Smash that followed a team of creatives in New York attempting to produce a new musical. Her first screenplay was Harriet the Spy and she has worked as a writer since on films such as Catwoman, Gossip, and Sunday on the Rocks.

Haley Annie Henk*

[*member Actors' Equity Association]

[**member United Scenic Artists]

[***member Stage Directors and Choreographers Society]

Director Jade King Carroll***

Set Design Anita Stewart**

Costume Design Rodrigo Muñoz

Light Design Scout Hough

Sound Design Charles Coes**

Stage Manager Myles C. Hatch*

A CHRISTMAS CAROL (2020)

DATES Dec. 4 - Dec. 24, 2020

RUN TIME 110 minutes | No Intermission

PLAYWRIGHT Charles Dickens

DIRECTOR Anita Stewart

About The Play

Celebrate the holidays with this timeless tale that embodies the season: love, family, and the spirit of goodwill. See it brought to life on-stage, with charming costumes, delightful music, and a few ghostly apparitions. This magical production is perfect for the entire family, guaranteed to warm the heart of every Scrooge. Start a family tradition of your own.
*Not included in subscription series.

Prices

  • In-Person $35-$50
  • Seniors 65+ $4 off
  • Students 16+ $20
  • Children 4-15 $15
  • Digital on Demand $25

Pay-What-You-Can

  • Fri, Dec. 4  7:00 pm
  • Sat, Dec. 5 7:00 pm
  • Digital on Demand Available by calling the Box Office

Virtual Discussions

  • Curtain Call: Crafting a Carol  Sun, Dec. 13  5:30 pm

Charles Dickens

Dickens’ poignant and action-packed novels lifted him from a lower-middle-class childhood to become an international celebrity of the Victorian era, and remain popular today. Still, in book after book, from Oliver Twist to Great Expectations, he remained true to his roots: calling attention to hypocrisy, injustice, and the plight of the poorest among us.

Actor Joel Leffert*

Foley Artist Nancy Nichols

*denotes member of AEA

**denotes member of USA

Director Anita Stewart**

Set Design Anita Stewart**

Costume Design Anita Stewart**

Light Design Tayva Young

Sound Design Seth Asa Sengel

Stage Manager Myles C. Hatch*

Portland Stage presents The Winnipesaukee Playhouse production

OR,

DATES Jan. 29 - Feb. 14, 2021

RUN TIME 100 minutes | No intermission

PLAYWRIGHT Liz Duffy Adams

DIRECTOR Aileen Wen McGroddy

About the Play

​Life’s tough when you’re England’s groundbreaking first female playwright.  And a spy.  And you have a famous actress hiding in your closet. And her lover – the king – knocking on your door.  And your ex-lover, a double-agent who may (or may not) be trying to murder said king showing up at your doorstep.  It’s all in a day’s work for Aphra Behn, in Liz Duffy Adams’ fictionalized account of what may (or may not) have happened to this real-life historical figure. You’ll be asking yourself if this really is the 1660s in this double-crossing, bodice-ripping sex farce about art, politics, poetry, and intrigue.

Prices

  • Preview Fri & Sat  7:00 pm  $26-$48
  • Wed thru Sat  7:00 pm $35-$62
  • Thu  2:00 pm  $35-$62
  • Sat & Sun  2:00 pm  $40-$68
  • Digital on Demand  $25

Pay-What-You-Can

  • Sat, Jan. 30  7:00 pm
  • Thu, Feb. 11  2:00 pm
  • Digital on Demand – Available by calling the Box Office

Virtual Discussions

  • Curtain Call  Sun, Feb. 7  5:30 pm
  • Artistic Perspective  Sun, Feb. 14  5:30 pm

Liz Duffy Adams - OR, premiered off-Broadway at WP Theater and has been produced over 60 times since. She’s a New Dramatists alumna and has received a Lillian Hellman Award, New York Foundation for the Arts Fellowship, Massachusetts Cultural Council Fellowship, Weston Playhouse Music Theater Award, MacDowell residencies, and the Will Glickman Award. Other plays include BORN WITH TEETH; THE SALONNIERES; WONDERS OF THE INVISIBLE WORLD; DOG ACT; BUCCANEERS; WET OR, ISABELLA THE PIRATE QUEEN ENTERS THE HORSE LATITUDES; ONE BIG LIE; and THE RECKLESS RUTHLESS BRUTAL CHARGE OF IT OR, THE TRAIN PLAY. Her work has been produced or developed at the Magic Theatre, Round House Theatre, Seattle Rep, Contemporary American Theater Festival, Humana Festival, PlayPenn Conference, Portland Center Stage, Flux Theatre Ensemble, New Georges, Clubbed Thumb, Cutting Ball, Shotgun Players, and Crowded Fire, among other places. Publications include DOG ACT in “Geek Theater: Anthology of Science Fiction and Fantasy Plays” (Underwords Press 2014); OR, in “Best Plays of 2010” (Smith & Kraus); POODLE WITH GUITAR AND DARK GLASSES in “Best American Short Plays 200–2001” (Applause Books); and several plays in acting editions by Playscripts, Inc. and Dramatists Play Service. BFA: New York University; MFA: Yale School of Drama. She was the 2012–2013 Briggs-Copeland Visiting Lecturer in Playwriting at Harvard. She has dual Irish and American citizenship. More at lizduffyadams.com.

Aphra Behn Rebecca Tucker

Nell Gwynne & others Haley Jones

King Charles II & others Nicholas Wilder

Director Aileen Wen McGroddy

Set Design Anita Stewart

Costume Design DW

Light Design Tayva Young

Stage Manager Kimberly D'Agnese

Rebecca Tucker

Haley Jones

Nicholas Wilder

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COVID Testing Partner

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